The Brahms Requiem served as the artistic focal point of Chorus America’s Robert Shaw Centenary Symposium, which centered around the Atlanta Symphony Orchestra and Chorus’s April 2016 performance of this masterwork. Symposium faculty shared their thoughts on issues conductors ought to address as they prepare the piece.
When Shira Cion hunted down Kitka Women’s Vocal Ensemble in 1988, it was a different era. There were no websites with which small niche arts organizations could make themselves visible to the world.
When done right, these choral directors say, early music transcends its intimidating reputation and connects with audiences.
With the 2015 premiere of TURBINE, the Mendelssohn Club of Philadelphia helped celebrate a unique cultural landmark and its vital role in the history of the city.
On the first leg of Pope Francis' historic visit to the United States, an elite choir of 90 singers assembled from across the region will lift their voices to celebrate Mass at the Basilica of the National Shrine of the Immaculate Conception in Washington, DC.
“Our philosophy is no one should be denied the joy of music because of money. There’s no membership dues, there’s no fee for music. That carries over to the audience. All of our concerts are free to the public.”
In a commentary for Chorus America’s online feature Noteworthy, Donald Nally commends James MacMillan’s St. John Passion to choral music colleagues—despite its considerable challenges. Not only is its scale monumental, the oratorio may invite controversy.
More on navigating the process of finding, hiring, and working with soloists.
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