Chorus America’s Noteworthy web series highlights choral repertoire that may not be familiar to you—yet. Each month, a different conductor, music director, or other artistic professional recommends a piece of music that hasn't been widely noticed, but in his or her opinion, deserves to be heard.
Research Memorandum Series No. 203
This article is a companion to Research Memorandum Series No. 202 Winter 2012/13, “David Hamilton’s Music for Choir and Instrumental Ensemble”, also providing insight into the work of this prolific composer and music educator from New Zealand.
Today's GLBT choruses continue to be places to unite in common causes, but their perspectives have changed along with the times.
The Eric Whitacre Singers recently made its debut U.S. tour in March, organized and presented by Distinguished Concerts International New York (DCINY.) Chorus America asked four of the Singers to provide some insight into life on the road, performing in American venues, and working with a choral "rock star."
This issue provides insight into the music of Hamish MacCunn, Scottish romantic composer, conductor, and teacher. Jennifer Oates gives us a complete listing of MacCunn's choral works, including audio file examples.
Dominick DiOrio is one of the youngest people ever to be hired on the conducting faculty at the Indiana University Jacobs School of Music. He leads NOTUS, a 30-member auditioned ensemble that specializes in music of the last 50 years. Chorus America talked to DiOrio about his own compositions and his passion for finding and performing the music of contemporary composers.
Research Memorandum Series No. 202
This issue provides insight into the music of David Hamilton, prolific composer and music educator from New Zealand. Jennifer Morgan Flory gives us a complete listing of Hamilton's works for choir and intstrumental ensemble.
Music director and radio host Tom Hall remembers his friend and colleague, jazz musician Dave Brubeck, who passed away just short of his 92nd birthday.
If you’ve been on the internet during the past month, you’ve probably seen the quirky viral video of a chorus and orchestra covering the popular, can’t-get-it-out-of-your head song “Call Me Maybe” by Carly Rae Jepsen. There are hundreds of other videos online covering the song, ranging from topics like NFL replacement referees to the United States Olympic swim team, so what makes this one so special? With more than two million hits and counting on YouTube, mentions in newspapers around the country, and even a featured performance on the Today Show, who knew choral music could go so viral?
A renowned composer and choral artist discuss the challenges of choosing and setting texts—what every composer, conductor, and chorus seeking to commission a new choral work should know.